Due to the Coronavirus COVID-19 outbreak, all Pratt Library locations are closed out of an abundance of caution for the health and safety of our customers. We will continue to update this page with more information as the situation evolves.
Virtual events are now available online! Browse our virtual events and attend online workshops, writers’ groups, and more from the comfort of your own home.
The first biography of a renowned industrial designer and illustrator who shaped the look of modern technology, presented in a slide-illustrated talk.
What should a television look like? How should a dial on a radio feel to the touch? These were questions John Vassos asked when the Radio Corporation of America (RCA) asked him to design the frst mass-produced television receiver, the TRK-12, which had its spectacular premier at the 1939 New York World’s Fair.
Vassos emigrated from Greece and arrived in the United States in 1918. His career spans the evolution of central forms of mass media in the twentieth century and offers a template for understanding their success. This is Vassos’s legacy — shaping the way we interact with our media technologies. Other industrial designers may be more celebrated, but none were more focused on making radio and television attractive and accessible to millions of Americans.
In John Vassos: Industrial Design for Modern Life, Danielle Shapiro is the first to examine the life and work of RCA’s key consultant designer through the rise of radio and television and into
the computer era. Vassos conceived a vision for the look of new technologies still with us today. A founder of the Industrial Designers Society of America, he was instrumental in the development
of a self-conscious industrial design profession during the late 1920s and 1930s and into the postwar period. Drawing on unpublished records and correspondence, Shapiro creates a portrait
of a designer whose early artistic work in books like Phobia and Contempo critiqued the commercialization of modern life but whose later design work sought to accommodate it.
Replete with rich behind-the-product stories of America’s design culture in the 1930s through the 1950s, this volume also chronicles the emergence of what was to become the nation’s largest media company and provides a fascinating glimpse into its early corporate culture. In our current era of watching TV on an iPod or a smartphone, Shapiro stimulates broad discussions of the meaning of technological design for mass media in daily life.
Danielle Shapiro is an independent scholar who has served as senior program offcer in the Division of Public Programs at the National Endowment for the Humanities. She earned her PhD in art history and communications studies from McGill University.
Saturday, September 10, 2016 at 11:00am
Roland Park Branch, Meeting Room
5108 Roland Avenue, Baltimore, MD 21210